I Heart the Music: Your Online Source for Live Music Reviews and Interviews in Toronto!

iheartthemusic kicked off CMW at the Eye Weekly showcase at The Roosevelt Room. On the lineup was Styrofoam Ones, DVAS, and Parallels. While the bands were no stranger to CMW, it was evident that The Roosevelt Room was. We arrived at the venue only to find that they were charging media $20 cover (despite having a media pass) and fumbled excessively with the guest list in the dark. Needless to say, The Roosevelt Room was an underwhelming venue of choice, but it served its purpose for the evening.

Styrofoam Ones were a great diversion from the troubles getting into the venue, kicking off their performance with “Sov Flight”. The crowd took notice and quickly congregated in front of the stage. As a group, they have a subtle intensity about them that sparks intrigue as soon as they hit the stage. Things really took off when they performed a captivating rendition of ”Pavement” followed by “Hid in the Walls” and “April Fools”. The performance started to flat line at the track “Kings and Queens”. It was hard to tell if the crowd were actually still engaged or simply zoned out. They redeemed themselves with the better known track “O.T.A.P.P”  and raised the temperature when they were joined by two awesome back up singers. Although there is limited interaction between band members, their chemistry is apparent, as song transitions throughout the set were seamless. The band has an obvious following and after seeing their live show it is easy to understand why. For those who have only had a chance to listen to their album; you are definitely missing the full experience. To truly appreciate what this trio has to offer, it is a must to get out and see them live.

Taking it up a notch, DVAS took to the stage next and got the crowd moving. With the wacky Captain Ron apparel and electric energy of Dietzche V. and the Abominable Snowman, it was hard not to take notice. Hailing from Edmonton, this innovative duo have quickly garnered the attention of electro dance devotees across the globe. With their recent signing to Toronto label Upper Class Recordings (home of The Russian Futurists, Cadence Weapon, Girlsareshort and The Cansecos), there is no doubt that this group has lots of success coming their way. We can’t wait for the upcoming release of their album Society this summer!

Once headliners Parallels took the stage, the evening really started to transform. Holly Dodson was unquestionably the unabashed star of the evening. She worked the stage and the cameras like a seasoned pro, moving on the spot in nuanced poses throughout the entire set. Dodson brings an intrigue to their performance resulting from her docile nature, soft vocals and chic style. Highlights of their set included “Ultralight” and “Resevoir” and the final track of the night “Countreparts”. We will be definitely following this group and watching closely as they continue to gain notoriety and adoration from their fans. 

As reviewed by Catherine Russell

photography provided by Renee Rodenkirchen

So once again Canadian Music Week, or Canadian Music Fest rather, has hit the streets (and venues) of Toronto. With so many acts to see we here at iheartthemusic figured we would make it easier for you by showcasing one artist in particular who caught our eye. For our CMW preview meet The Schomberg Fair:

iheartthemusic: Welcome guys! You are somewhat veterans now since you have produced a few albums, however inbetween your last album and your recent one, Gospel, I believe it was about a year and half time. That seems fairly quick?

Matt: The difference between the last record and this record was that I would come in with a song and it would come out pretty close after that. Now we have been working with the arrangement a bit more and Nate and Pete have really come in to shape the sound quite a bit. I think that came from confidence and playing.  It is now a very collaborative process.

iheartthemusic: For this last album didn’t the lyrics and overall feel of the album really came from your own experiences Matt?

Matt: Yeah, so I am the lyricist and I do street outreach with the homeless.

iheartthemusic: That must be incredible and give you quite a bit of writing inspiration, which is kind of an awful thing to say given the circumstances.

Matt: [laughs] Well there is no shortage of material!

iheartthemusic: This album definitely has a darker, well I guess I wouldn’t say darker side but…

Pete: I would say darker! [laughs]

iheartthemusic: Which is so odd to say because if I watch any YouTube clips of you, the energy is so uplifting! It is like a disconnect but in a really great way.

Nathan: I mean that is the kind of energy that we want to bring to the stage. Matt and I talked about it when we were naming the album because we weren’t sure about the name Gospel and the religious connotations behind that.

iheartthemusic: I didn’t even think of that!

Nathan: Yeah, we aren’t a Christian rock band or anything like that. We wouldn’t say we weren’t gospel music by any stretch of the imagination, but the true meaning of the word gospel is the good news and I mean that really shows in our live show because you know the message, the actual literal meaning, is not a positive thing but we are delivering it in a way that is fun and uplifting. We are kind of saying that in spite of bad things we are going to have a good time. You push through the tough times and have great times.

Peter: We have always said that the overall message is one of hope and I think that no matter where it [your material] comes from, whether it’s a dark place or a light place, at the end of the day when people pay money and see you live you put on a show. That definitely is in the back of our minds.

Matt: Hope and the idea of a future. The work that I do is trying to achieve that same goal for those people: to help them find hope.

iheartthemusic: Is it then an outlet for you?

Matt: I would drink a lot more if I didn’t write songs. It’s a pretty challenging job, I mean it’s rewarding but emotionally draining. The band is emotionally uplifting. I love playing music and I love playing music with these guys.

iheartthemusic: Is there a big difference for you, in terms of enjoyment, between the live show and recording?

Matt: They are very different beasts. [laughs]

Nathan: Every time that we go into recording we’ve had this idea that we are going to make a studio record, and then the engineers are always like “we are going to make this a real live sounding album”. They try to make it so that that same energy from our live show is transferred to the record, and I think they succeeded on this one. It’s definitely a different animal and we’re a lot more nervous when we go into the recording studio.

Peter: I think that with a live show, we are really used to playing live and we feed off the audience, so a recording studio is a very dry and can be stale because it is dead silence and we all went in with that feeling. So I think that’s why we feel recording is a little more challenging than live shows. I think we are getting a lot better.

Matt: I really enjoy both a lot. They are different beasts, if you played several hundred shows you would probably be pretty good at the live shows than only putting out two records right? [laughs]

iheartthemusic: Absolutely!

Matt: We were really lucky to work with the guys at Chemical Sound, Dean and Jake, they  were just so great and really helped to bring out the best performance and stuff. Again it’s a new collaboration with the engineers than with let’s say the fans.

iheartthemusic: So what’s up next then?

Matt: The road. Keep playing Ontario for a while and then go back and forth across Canada and the States hopefully before the end of the year. I would like to try and get back in the studio before then end of the year. That’s the long term plan.

Saturday, February 20th was “Alt Country Rock’N'Roll” night at The Horseshoe and on the bill were four local indie acts: Golden Hands Before God, The Diableros, The Schomber Fair and La Casa Muerte. We missed out on watching openers Golden Hands Before God (sorry fans!) but having previously  heard great things about The Diableros, we decided to venture out early to see if we could catch their set. Having only briefly listened to a few of their tunes on their MySpace page prior to the show, we actually arrived at The Horseshoe somewhat excited to see the live version. We got there just in time to witness five guys on stage setting up their instruments. After grabbing a beer or two, they finally began to play and play they did, but with absolutely NO enthusiasm. They each knew their individual parts well; strumming the guitar and hitting notes on the keys, however this was done with no passion or what appaeared to be any pleasure. Not one of them even cracked a smile during their entire forty five minute performance.

We didn’t get a chance to grab their set list, so it is hard to comment on individual songs, but honestly that didn’t even matter as watching them was THAT painful. The crowd seemed to mimic our sentiments as a few swayed trans-like to the beat of the song and the rest resorted to the bar. A few drinks were what you seemed to need to get through this performance. All wasn’t lost though, the drummer was actually great and eventually started to pull the attention away from the rest of the band.  He was hitting those drums with such enthusiasm and gusto as if he also knew how boring upfront was and therefore tried to make up for it! My verdict? Buy the album, avoid the show.

Next on the bill were bluegrass alt rockers The Schomberg Fair. We were pretty excited for them to take to the stage and relieve us from the comma we were in and they didn’t disappoint. They came on stage and literally rocked the house opening their set with “Angels Wings”; a fast paced song that appears on their latest album Gospel. This song literally begins and ends with a bang with lead vocalist Matt showing off his banjo skills. These guys just really know how to put on a show, and with tons of experience and tours under their belt, it really becomes a treat for those able to catch them live. One thing that really struck me was the contrast between lead vocalist’s Matt and bassist Nathan’s voices. Nathan, or Nate rather, has a voice that literally sounds like the instrument that he plays and when they sang in unison it actually created the most amazing sound that is uniquely their own. From beginning to end the crowd were either singing along or dancing- two key reactions that any musician would hope for.  My verdict? Buy the album AND see the show!

The Schomberg Fair play CMW on March 13th @ Sneaky Dee’s.

photography provided by Nancy Kim.

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