I Heart the Music: Your Online Source for Live Music Reviews and Interviews in Toronto!
Exploring what Toronto's music scene has to offer one beat at a time….-
June 11th, 2009Alternative, Ambient, Indie, instrumental

When iheartthemusic heard that Chicago math rock band Maps and Atlases was hitting up Toronto, we knew it was a show that could not be missed. Having already followed this band for quite some time, we were excited to see that Toronto-based group (and friends of iheartthemusic) Arietta was set to open the show. Arietta never disappoints their fans, but sadly (for us) we ended up missing their set as we were busy entertaining members of Maps and Atlases at Sneaky Dee’s for a quick bite before the show. To hold you Arietta fans over in the meantime, here are some shots from their album release party at Horseshoe a few weeks back!


We arrived back at the El Mocambo just in time to see the last few songs from St. Louis, Missouri’s So Many Dynamos. This young band is currently on tour with Maps and Atlases and, if the response from the crowd was any indication of what’s to come for this band, we are happy to have caught some of their set! Signed to Vagrant Records and about to drop their latest album entitled The Loud Wars (their third, might we add), So Many Dynamos blew us away. The crowd ate up their pop/punk sound, but for us it was Aaron Stovall’s voice and keyboarding skills that really stood out as he actually played (fairly well) with his chin at points throughout their set. It was also interesting to see the punk influence of his voice mixed in with such an indie pop vibe, which worked to their advantage quite well. These guys just seemed to be having a great time onstage, which only pushed the crowd even further to participate in the fun.

It was finally Maps and Atlases’ turn to take the stage. We spoke with them earlier about what makes their live performance so appealing to fans, and lead vocalist Dave Davison assured us that it is the crowd that gives them the energy to put on a good show. This is probably one of the most technical bands we have seen in a while with their signature finger tapping on the guitar and almost trance-like state while they are onstage. We have to add that there was a group of (underage) fans at the front who were clearly enjoying the sound and talent as they each sang along and appeared to be trying to get up onstage with the band. The rest of the crowd overall didn’t seem as enthusiastic as they did for So Many Dynamos’ set, which was surprising to see since they were the headliners for the night. It might have to do with the fact that this was their first time playing in Toronto, or perhaps that the crowd interaction was lacking, either way, they played all the favourites seamlessly. “Israeli Caves” started off the show with it’s incessant finger tapping by guitarist Erin Elders and Davison’s mellow voice that never fails to disappoint. Near the end of their performance they pulled a Broken Social Scene-esque manoever and had So Many Dynamos up on stage playing with them for a few songs. When they were finally finished their set, the chants for an encore began almost immediately and miraculousy Dave appeared on stage sans band to play a personal favourite, “Pigeon”. If you haven’t already picked this album up, then we suggest anyone hoping to get into the music industry get it, study it and let it blow you away.
Tags: Arietta, Broken Social Scene, El Mocambo, Horseshoe, maps and atlases, so many dynamos
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June 9th, 2009Events, Indie, Rock, instrumental

Saskatchewan is known for a few things; it’s where the term “the prairies” is used quite loosely, Saskatoon is there and it is also where that television show Corner Gas was filmed. One thing that is not readily associated with this Canadian province is great music and so you can imagine our surprise when iheartthemusic went to see Regina’s six-piece Rah Rah at the El Mocambo a few weeks ago and were very pleasantly surprised by what we discovered. This young band consists of friends Erin, Marshall, Joel, Kris, Samra and Leif, who all met in university where they decided to start a band. Their sound is indie Brit-pop, reminiscent of Arts and Crafts’ heavy-hitters Los Campesinos! in both their stage antics (they are constantly switching instruments), size and attitude. This band is young, fresh and incredible live, which is why they are the first on our radar for next week’s NXNE music festival here in Toronto.
Being a young band (they literally just finished their last semester of uni) they’ve already accomplished a fair amount including sharing the stage with such notable Canadian acts as Wintersleep, Holy Fuck and Mother Mother. But there seems to be no slowing the girls and guys in Rah Rah as they have decided to take on the feat of doing a cross-Canada tour (yes East Coast to West Coast and then back home) with a quick stop in Montreal to record their next record! No big deal right?! If their last album Going Steady (released in 2008 on Young Soul Records) is any indication of what is to come for this group, then you better catch them quick!Rah Rah play a bunch of dates during NXNE:
Thursday, June 18th @ 2PM > NXPO day stage at Hyatt Regency
Thursday, June 18th @ 11PM > Rancho Relaxo
Sunday, June 21st @ 9PM > El Mocambo



Tags: El Mocambo, Holy Fuck, Mother Mother, NXNE, Rah Rah, Rancho Relaxo, Wintersleep, Young Soul Records
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June 3rd, 2009Experimental, Punk, Rock

Black Hat Brigade is an eclectic fivesome homegrown right here in the GTA. And homegrown they truly are, with audible influences of Canadian greats Arcade Fire, Broken Social Scene and an unnamed touch of East Coast sound that ties it all together. The band is made up of Rob Haughey (Keys/Guitar/Bass/Vocals), Justin Myler (Bass/Keys/Guitar/Vocals), Adam Peterson (Lead Guitar/Bass/Keys/Glockenspiel/Vocals), Dan Hurst (Drums) and Bryan Ward (Guitar/Percussion/Glockenspiel/Bass) – listing out the band members and the instruments they play appears a little confusing, but it all makes sense once you see them play live. To watch a BHB show is to witness a complicated yet fluid dance of instrument swapping, mixed vocals and old school rock ‘n’ roll. It’s the type of music both hipster kids and grizzled sea captains alike would enjoy stomping their feet and clinking their pint glasses to. iheartthemusic was able to talk with Justin and Bryan before BHB tookthe stage at the El Mocambo on the night of the release party for their sophomore EP, Fathers.
iheartthemusic: Where are you guys from, are you local Toronto boys?Justin: Well, originally, I’m from Brampton, and so are Rob and Adam, who aren’t here right now.
Bryan: I’m from Pickering, that’s where I grew up. And Dan is from Burlington so we’re all kind of suburb kids.
iheartthemusic: You guys are from all over the place, how did you come together to form the band?
Justin: Myself, Rob and Adam played together in university. We all went to high school together, and I’ve known Adam since I was about five. Bryan and Adam were working at the CBC, and met over there. Bryan came out to one of our shows. We knew that he played a bunch of instruments so we invited him up on stage to play tambourine in one of our songs. We were all pretty inebriated and just asked him to join.Bryan: …and I met Dan in College, a friend of a friend.
Justin: About a year after Bryan joined we had an amicable split with our old drummer. The next day Bryan bumped into Dan, and asked if he was still drumming. Dan said, “Ya, why…are you looking for a drummer?” He came to a practice and we hit it off.
iheartthemusic: So it seems like it was fate that brought you guys together.
Justin: That’s what we like to call it.
Bryan: It was written in the stars.
iheartthemusic: I like that a lot. So one thing that I thought was really interesting in reading your bio was this section here: “It could be said that the drug-induced children’s programming of the early 1980’s, overexposure to video game soundtracks, and the years spent partying in the bowels of dead end suburban cul-de-sacs might have had an influence on their song writing.” First of all, who wrote that?
Bryan: That’s the English Major, Rob.
Justin: Yeah, he threw together the bio, but we all sort of grew up in the ’80s playing video games, and you can see it in our music. We all have a little bit of ADD, which probably has to do with the video games. It’s why we have to switch up our instruments all the time. We get bored.
iheartthemusic: Any particular video games?
Justin: I was a Nintendo guy, Bryan’s a Nintendo guy.
Bryan: I still have a Nintendo hooked up to my TV. Normally after shows we all end up at my place and play Mario 3 at three o’clock in the morning. We’ll throw on other games, but it always goes back to Mario 3, that’s a staple.
Justin: We do have a song called “Castlevania”, which was not named after the video game, because I tried it, and I suck at it [laughs all around].
iheartthemusic: “Castlevania” is on your second record, the new one that’s out today.
Justin: Yeah, Fathers.
iheartthemusic: When was your first record released ?
Justin: It was almost exactly a year ago today. It was recorded at Sleepytown Sound in December, and it took six months to release. We were doing it all ourselves: artwork, printing, mastering, and collecting money to be able to afford to do it.
iheartthemusic: Today is the CD release party for the new record, Fathers. How does this record feel different from the first?Bryan: The new one is longer ['cause] it’s got more songs on it. A couple of songs on this album have been around since we wrote the last one. We felt that these songs all fit well together, and they all had a certain tone and feel to them, which is why we put them on this other EP. Also, I think the songs sound a lot fuller, and more thought out. When we recorded the last one, it was the first thing we’d ever recorded, and the first time we’d ever stepped into a studio. We just did it for ourselves. We thought, cool, now we’ll have something to listen to. With this record we know people other than ourselves and our parents are going to hear it. I think it’s also pretty true to our live sound.
iheartthemusic: Another cool aspect about the show tonight is that it’s part of the Pitter Patter Festival. How did BHB come to take part in it?
Justin: Keith Hamilton, who’s running Pitter Patter, we played show for him about a year ago, at the Boat [in Kensington], and kept in touch with him. We weren’t even supposed to be on Pitter Patter, because we were looking for a night to do our release. So Keith said if we wanted to put on our show as a part of the festival, then that would be great.
iheartthemusic: Let’s talk instruments, your bio lists the glockenspiel one of the instruments you play…
Bryan: Well a Glockenspiel is basically a metal xylophone. It’s got metal pieces instead of the wooden blocks. It’s a mallet instrument… Adam had a dream that he was Moon Walking across a glockenspiel and it played the craziest song he’d ever heard. The next day he came to practice with a glock. None of us had ever played it before.iheartthemusic: So after this Pitter Patter tour you’re going to be playing NXNE.
Justin: We played it last year, but it was more lowkey. We didn’t have a lot of push behind our name at that point. We’re doing a show at The Drake with The Balconies, The Urban Aesthetics and a couple of others.
Bryan: That’s on June 18th. The next night we’re playing a free show at Yonge and Dundas Square, Mill Street Brewery is the sponsor. There’s going to be two stages, the Mill Street Stage and the main stage. Wintersleep, The Cliks and In-Flight Safety are on the main stage.
iheartthemusic: Do you have a current favourite Canadian band you want to tell our readers about?
Justin: Lots. I find what I’ve been listening to a lot lately is a lot of Canadian stuff, especially out of Toronto. Timber Tambre is someone that we’ve recently started listening to. Bryan actually turned me onto them.
Bryan: It was after one of our shows I think. I was like, “Justin, you need to hear this song.” It was “Lay Down in the Tall Grass”.
Justin: Chad Vangaalen, Constantines, Broken Social Scene, Wolf Parade, Arcade Fire, Think About Life, Holy Fuck, The Besnard Lakes, Born Ruffians, Islands, Frog Eyes, Slim Twig, Women, Bruce Peninsula…Yeah, there’s lots of great bands out there right now.iheartthemusic: Do you find that there’s a lot of support within the Canadian music industry? I’ve heard of it described as one big happy family, has that been your experience?
Bryan: We’re always helping each other out. Like if someone gets a gig, or a good slot at a show, we always try to get one of our friends’ bands on there. We’ll try to get younger bands (that aren’t as well known) really good opening slots. That’s kind of what’s pushing the scene right now; everyone’s helping each other out.
iheartthemusic:Do you have a favourite venue in the city, that you’ve played which holds a place in your heart?
Justin: I’d say for most of us, and for me anyway, Rancho Relaxo. We love playing there.
Bryan: We had our first sell out show at Rancho, which was the best thing ever.
iheartthemusic: And, as a final question, care to explain the Soylent Green comment from your bio? That your music is the “aural and visual equivalent to that final scene from the dystopian classic Soylent Green, when Charlton Heston’s character finally realizes that they’ve been eating each other all along”?Bryan: Our music eats people.
Justin: At the end of one of our shows you realize your brain’s been eating itself the whole time.
Black Hat Brigade will be playing NXNE June 18th at the Drake hotel, and a free show at Yonge and Dundas Square on June 19th.
Interview by Nadia Elkharadly
Pictures by Omar Elkharadly
Tags: Arcade Fire, Black Hat Brigade, Born Ruffians, Broken Social Scene, Bruce Peninsula, Chad Vangaalen, Constantines, El Mocambo, Frog Eyes, Holy Fuck, In-Flight Safety, Islands, NXNE, Pitter Patter Festival, Rancho Relaxo, slim twig, The Balconies, The Besnard Lakes, The Cliks, The Drake Hotel, The Urban Aesthetics, Think About Life, Timber Tambre, Wintersleep, Wold Parade, Women


Kimberlee McCormack: