I Heart the Music: Your Online Source for Live Music Reviews and Interviews in Toronto!

The first ever Peace Dot Love music festival took place during NXNE at the Koolhaus. It was a musical tribute to Dylan Ellis and Oliver Martin who were gunned down in a parked car in June 2008, a horrible crime that has yet to be solved. The fest was put on by 102.1 the Edge, D.O. It! (an organization formed to raise funds for youth violence prevention groups), LOVE and Peacebuilders International in partnership with NXNE (as well as some other sponsors, including iheartthemusic).

It began with DJ duo TMDP. Despite their early start time they had the crowd that was there grooving to their tunes. It wasn’t a large crowd, but that didn’t seem to affect the tunes coming off the turntables as these consummate professionals performed with the same energy as when iheartthemusic witnessed them spin to an at-capacity Circa crew. (If you missed them you can see them at the TIME Festival at Sound Academy on July 25.)

Stereos were met with a plethora of pre-pubescent screams from the throngs of teenyboppers who rushed the stage. Personally I thought it sounded like watered down radio dribble with too much auto-tune. However, I also think the latest album from Black Eyed Peas had too much auto-tune and Stereo’s song “Summer Girl” was number one on iTunes so they mustn’t be doing much wrong (but I’d be hard pressed to pick out what they were doing exceptionally right). In any case, the PG-13 prepubescent portion of the Koolhaus seemed to dig it as they screamed and sang along to every song, including “She Only Likes Me When I’m Drunk” (love the title). Perhaps it’s just a matter of taste… or lack thereof.

Feeling Stereo-ed out, I popped through the rabbit hole into the side room where I discovered a polar bear playing bass, an Elton John-looking lead singer and a percussion apparatus that resembled a mix between Dick Van Dyke’s instrumental outfit in Mary Poppins and a medieval torture contraption. The band sounded like a lot of fun… unfortunately no one was able to tell me who they were (if you’re reading this and you know the answer, let us know).

True to form Down With Webster gave a high-octane performance. This large ensemble band is an amalgamation of high energy electro with large doses of rap and rock. One of the highlights was the when the drummer had a fun video game soundtrack solo (the low light was when one of the silly members threw beer on our photographer, not cool dude!). Even when they experienced some technical difficulties they kept the crowd entertained by busting out a freestyle. And they were entertaining, I even spotted some parents grooving to their tunes.

Simultaneously We Are the Take had a work out on the stage next door. These boys played so hard they were quite literally dripping with sweat. The passion in playing engaged the crowd who seemed fully immersed (or should I say “taken in”) by the band. These guys always put on a good show and are clearly garnering a devout fan following.

Dragonette was nothing less than awesome. iheartthemusic had the pleasure of speaking to the husband and wife team before the show and learned that they were truly there to support the cause, which they spoke very well of [stay tuned for that interview, we talked music, fashion and spilling sauce on sneakers in Japan... apparently a no-no as it takes a while for the smell to go away]. Their performance was dynamic and a highlight for many of the festival goers. One word: awesome!

Closing out the night was USS (Ubiquitous Synergy Seeker). Phew, if you weren’t tired already you would have been by just watching these two guys fly around stage, doing handstands and bouncing with the crowd. Lots of energy and a wonderful way to end a wonderful festival. With so many great performances I look forward to see how they top this next year.

Written by Emer Schlosser

Photography by Carl Heindl

Considering it was “technically” day three for NXNE, you may find it odd that I should call this post “day 2″. The reason is that “day 1″ was such a write-off (for me it consisted of the opening night party and watching one of the worst acts ever at The Drake, which I refuse to name, before I decided to pack it up and call it a night). Thursday, June 18th was PEACE DOT LOVE, a festival promoting and supporting local anti-violence initiatives in Toronto that consisted of a plethora of amazing Toronto acts. This festival also happened to be  sponsored in part by iheartthemusic, so it was lots of work (but we always have room for pleasure). Thus bringing me to Friday, June 19th, the official start to my NXNE experience. The night went something like this: Yonge & Dundas Square – Hard Rock Cafe – Yonge & Dundas – Lee’s Palace – home. Not that much travel, but I needed to ease into the week slowly.

I decided to start the evening with heading to Yonge and Dundas Square to catch East Coast sensation In-Flight Safety perform. After releasing their latest album, We Are An Empire, My Dear, back in January, I was stoked to be able to see them perform live in Toronto. The crowd in attendance was definitely full of fans and it was nice to see people from all walks of life and ages out to see the show.

Next it was a mad rush across the street to the Hard Rock Cafe (a venue that I was entirely not familiar with) to see Ottawa pop/rock group Benefit of a Doubt perform. These guys just recently came off a tour with Norglen and are a band that I have been personally loving for quite some time. Having not been able to catch them during CMW in March, I made sure I was in attendance for their NXNE appearance. Unfortunately for them (and the rest of NXNE attendees) the venue was a huge hindrance. It was like the Hard Rock was the uncool kid that no one wanted to go near. The only people present were clearly there for the food and not the music. This did not, however, faze the foursome on stage as they rocked out harder than most bands we saw that week who played to sold out shows. They opened the show with what I was told was a band favourite to play, “We Are The Broken”, which saw lead vocalist Chase’s voice hit notes that I wouldn’t dare attempt. The overall feel in the room shifted as they began to play. People became mesmerized by their stage presence and forgot about their plates. Chase played barefoot, the band headbanged in unison and they all looked like they were having an awesome time! This band shows no signs of slowing down and I predict they will only get better and bigger.

After their set we didn’t have to venture too far to see the next act, which was Wintersleep who was playing back at Yonge & Dundas Square. This was a show that could not be missed as they rarely venture to Toronto (since they are too busy touring the world). Although my height caused viewing difficulties, I managed to take note of their keyboardist literally balancing on one leg while he playing (impressive to say the least). Everyone was singing along to the well-known tunes and I literally have nothing else to say except that there could have been a bit more stage presence. After seeing the first two bands of the night perform, Wintersleep was a bit of a let down in that regard. However, it was still great to see them live and we managed to grab some awesome shots for your enjoyment!

The last stop of the night was Lee’s Palace to catch one of the hot ticket acts of the week – L.A. duo No Age. Before they were about to go on we managed to catch the last few songs of Seattle group The Dead Science. They are described as “creative experimental pop” and honestly, that is precisely what you get. With a drummer, a guitarist and a guy that appears to play the cello like it is a guitar, their sound is anything but conventional. The lead singer alternated from a high pitched soprano-type voice to a soft whisper (which was a little bit distracting at times) and managed to sing on his toes! The highlight was their technical skill. The drummer banged on the drums without a hitch and the cello player literally rocked out as hard as anyone could on a classical instrument. I would suggest checking them out if only to see (perhaps) where the future of music is taking us!

There was so much hype surrounding the two guys that make up No Age that I was pretty excited to see what it was all about. I know that this band has a very loyal following so I don’t want to piss anyone off… but, I must confess that I did not enjoy it one bit. Although they were engaging as an act, I could hardly make out what Dean was saying and Randy appeared to be in his own world on the guitar. The crowd were clearly MASSIVE fans and they created probably the biggest mosh pit that Lee’s has seen, which continued for the entire duration of their set. I believe that at one point Dean revealed that he just puked in his mouth and then swallowed it. I’m not sure if that is what turned me off the most or if it was the amount of kiddies around me snorting lines. Two thumbs down from me.

Sunday, traditionally the day of rest, but there is no rest of the wicked during NXNE. Fantastic photographer Joyce and I managed to hang in there for one last night of musical merriment.

First stop of the night was the Rivoli for Rueben deGroot. Don’t let this cowboy-hatted hottie fool you, he ain’t just country. DeRoot infused his tines with elements of folk and jazz to create music that most country nay Sayers could enjoy. In fact, this Kingstonian supposedly likes to describe his sound as “swamp-swing”, a name I quite enjoy and think expresses the sense of toe-tapping fun. If this sounds like this might be your cup of tea (or your looking for a way to transition into liking country), check out deGroot when he returns to Toronto on July 24 to play at the TRANZAC.

Next up at the Rivoli were The Gertrudes. And goodness gracious they were ginormous! In fact, they barely all fit on stage. I couldn’t count them all, but according to their MySpace there are a dozen. It wasn’t just the magnitude of the members, but the instruments they trucked up with them that was interesting. In addition to the usual suspects (like guitbox, sticks and violining) I spotted a banjo (or banjer), accordion (squeeze box), and ukulele (ukalucas). When The Gertrudes initially took to the stage the sounds that emanated were not at all what I was expecting. I had in my head barn dancin’, foot stompin’ hootenanny fair. Instead it was atmospheric indie folk. Very cool. Then, as the set progressed, more of that country-dance vibe I was expecting filtered in. There was a real sense of fun as the large familia seemed to enjoy the show as much as their audience.

Joyce and I then took leave of the Rivoli to venture up to the El Mocambo for what we expected to be Oh No Not Stereo, a pop rock band from Hollywood. However, that was not what we got. Not even close. Instead we walked into The Hank and Lily Show. How to describe the experience that was Hank and Lily? I think goth rock would best describe the genre. I believe the name of the song which we walked in on was aptly titled “Don’t Be Afraid”… and we tried not to be even though it sounded like the soundtrack to a B straight to video slasher flick, which was appropriate considering the costumes. The woman I assume to be Lily was a blonde wearing horn-like antlers who played the saw while the man I assume to be Hank looked like he fell out of a dark western remake of My Bloody Valentine. However, there was a positive note among all the shrieking ones, they had a song about David Hasselhoff, and I do love the Hoffmeister!

With the ringing still in our ears from Hank and Lily’s piercing wails, Joyce and I jumped over to Rancho Relaxo where our auditory vessels were comforted by the sweet sounds of Dan Griffin. Not only was the change of decibel refreshing, but so was seeing the simplicity of an acoustic set. It was interesting because earlier in the evening Joyce and I discussed what a rarity is seems to see a solo show these days when there seem to be so many massive groups a la Broken Social Scene and the like. But I digress and return to the musician at hand, Dan Griffin. He had a smooth and mesmerizing voice that was super easy to listen to and sang lyrics you could not only hear but really listen to. There was once exception and that was when he struggled through the Tokyo Police Club cover “Nature of the Experience.” However, he was humble about the stumble and was ultimately saved by stage manager Cam and his handy iPhone (and if you want to hear him get through the song without any trouble check out his MySpace).

Concluding the 2009 NXNE experience for Joyce and myself was the Toronto-based band bellewoods. A full sounding indie rock band that infused folk and had soul. There was a nice robustness to their music and I enjoyed that it was occasionally accented with church organ sound. The lead singer has a great voice and if you followed it on some of the slower tracks you felt like you could fall right into the song (…or perhaps that was the fatigue… or beer…). Despite it being a Sunday night after almost a week of music and extended last calls there was quite a crowd drawn out to see bellewoods, and rightly so. They had a good solid sound and clearly have potential.

And that was that. Another year, another group of musicians to add to the roster to follow and another NXNE in the bag.

Words by Emer Schlosser

Photographs by Joyce Wong

« Older Entries