I Heart the Music: Your Online Source for Live Music Reviews and Interviews in Toronto!

With an audience where only the fans in the front row knew them well enough to sing along, Yukon Blonde was one of those delicious surprises that only a music festival like CMF can serve up on an (almost) otherwise tasteless platter. They captured everybody’s attention faster than you can say “record deal”. Both the roaring crowd and this fresh, 6-piece, Kelowna-grown band were in utter jollification singing and dancing along to the guitar-based, harmonics-infused, feel-good-about-life music. Keep an eye out for these guys….

All hail the front woman! The Balconies: finally an act with a chick leading the dicks! Though they suffered some technical difficulties, some even from rookie mistakes (wonky duct-taped mics, occasionally inaudible vocals, and some missed cues), give them some time to tighten up live, and The Balconies could become ubiquitous. Jacquie Neville who fronts – and demolishes – the rest of this 3-piece pack matches her killer voice with hard as hell baselines, and a mélange of grunge, punk power pop. Throw in some edgy attitude and a little demonic subtext, and The Balconies could corrupt even the sweetest of Susie Q’s. But it is fun music – never serious – making their performance all the more inclusive, and a must-see.

Next up were the boys from The Wooden Sky. Only one or two songs in their entire 9-song set did I actually recognize as being The Wooden Sky that I knew. Gone were the velvety soft melodies and tender-hearted vocals of their latest album, favoured was a performance driven by heavy folk rock. Gavin Gardener began the set outfitted as your typical hipster country bumpkin, only to rip off his glasses and tear away the plaid and carry the rest of the hardcore folk set in a dirty, over-sized beater. Surprisingly lacking in texture, this fast-paced performance of screaming vocals and hard-working instrumentals was nonetheless unapologetic, showcasing an alter-ego, an unfamiliar layer of the band’s meaty musical personality.

Two Hours Traffic held the prime set spot, but didn’t deserve it. Indeed, their wimpy pop sound, their conservative and uninspiring stage presence, their stale riffs and processed arrangements, and Liam Corcoran’s baseless vocals were all a disappointment for a billowing crowd awaiting their arrival. Traffic barely received a quarter of the response that (far lesser known) Yukon Blonde and The Balconies garnered. Re-affirming the age-old argument that there can be a negative correlation between talent and popularity- Two Hours Traffic sucked.

Although the crowd thinned out after Two Hours Traffic, spirits seemed to have lifted once The Junction hit the stage. Though the two bands share some musical characteristics, there are important differences that favour the latter. The Junction has way more edge, harder riffs, and what looks like a genuine desire to be on stage. A definite product of The Strokes/Killers/Kooks musical generation, The Junction perform with a refreshing sense of light-hearted humility. They are nevertheless a little predictable, and their sound a little “been there, done that”, so give the album a good listen before venturing out to their live show.

as reviewed by Brittany Smith

photography provided by Nancy Kim

We are offering one lucky winner:

-a CD from each of the bands playing

-a mini screen printed poster

-an Exclaim! t-shirt courtesy of Third Estate

-TWO tickets to the show

In order to enter the contest please email: contest[at]iheartthemusic[dot]com with your first and last name.

The winner will be notified on Thursday, December 10th by 5pm. Good luck!

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ABOUT THE BANDS:

OH NO FOREST FIRES
You say you like rock and roll? You say you like sugar coated pop? Say no more. -If you go to rock shows in Toronto then you will likely come face to face with the raucous guitar pandemonium and explosive sing-a-longs that is Oh No Forest Fires. And when it happens, be warned. You may be transformed into a very sweaty young child that substitutes a sugar binge for a forgotten Ritalin dosage. Amidst juicy and dynamic pop songs, Oh No Forest Fires find a home for epic post rock guitar frenzies. With too-catchy-too-be-true choruses tying the beautifully messy songs together, anything can happen while the four piece is on stage. This year the band nearly topped the CBC Radio 3 and campus charts with their debut EP, The War on Geometry. They were also featured at this year’s NXNE, Over the Top Fest, Pop Montreal and Halifax Pop Explosion festivals!
MYSPACE http://www.myspace.com/ohnoforestfires

MAKE YOUR EXIT
You could try to describe the sound of the five eclectic musical backgrounds melding together to become what is Make Your Exit with fancy words and hyperbole… but the overbearing fact of their music is that it’s simply honest. And honest music isn’t always easy to come by. It’s stripped down, yet amped up, it’s noisy and abrasive, yet quiet and modest. It’s the sounds of five extremely talented twenty somethings just letting it all out. Lucky for us, their post-rock release lands somewhere between familiar and completely unfamiliar. Four part vocal harmonies akin to Fleet Foxes, with the addition of jazzy saxophone parts, and just the right tasteful amount of Canadiana twang – Make Your Exit is unlike anything you’ve heard before, yet it won’t be hard to wrap your head around. This year the band released their second EP,Remind Me the Reason I Came to a sold out Sneaky Dees. Often referred to as the best EP released this year, expect to hear much more from these young and restless musicians.
MYSPACE http://www.myspace.com/makeyourexit

CLOTHES MAKE THE MAN
Clothes Make the Man is like a group of loud mouthed kids yelling into microphones alongside cranked up amplifiers and pounding drums… except with beards and deeper voices. The band manages to maintain the same level of wide eyed enthusiasm with every set they play. CMTM are masterful songwriters, almost unbeknownst to themselves. In dark bars, parties, or bright festival stages CMTM transform into raucous punk rock and rollers, yelling about the economy and its endless digression, schizophrenia, alcohol and of course, girls. Fist pumping in the form of group sing-a-longs so huge and juicy it could make you sick. And yet, in the midst of all this aggression and rage, emerges some of the biggest hearted songs this culturally confused city of Toronto could bear to emit. In between the dripping sweat and guitar heavy choruses, the band opens their collective 8 arms and hugs the audience with their vicious wall of sound. And whether you like it or not, you’re getting a big wet one! Their raging rock anthems on their debut self titled release brought them to venues across the country, sharing stages with Cancer Bats, Moneen, The Dears, Malajube, Attack in Black. 2009 saw them holed up in the studio with producer Julius “Juice” Butty (Alexisonfire) working on their second LP, Distance, to be released in 2009 with a bang!
MYSPACE http://www.myspace.com/clothesmaketheman

THE BALCONIES
The Balconies are not your normal Canadian indie-rock band. They are a family collective, a super group, and the most infectious three some out of Ontario right now all at once. Co-vocalists Jacquie Neville and Stephen Neville are siblings! And drummer Liam Jaegar is dating Jacquie! They are made up of members from Ottawa bands Jetplanes of Abraham and For the Mathematics, and formed in Ottawa while studying music at Ottawa U. Their debut album, released this year, has been raising quite the commotion. The songs are well-written pop masterpieces, highlighted by the girl/boy vocal trade-off. All with extensive music backgrounds, the Balconies have a knack for writing songs that are timeless and memorable instantaneously. Having played alongside Mother Mother, Dog Day, and at this year’s NXNE, Pop Montreal, and Ottawa Bluesfest, keep your eyes peeled for what’s next from this truly unique outfit.
MYSPACE http://www.myspace.com/thebalconies

ABOUT AUDIO BLOOD INC.:

Audio Blood is a full service artist development company based in Toronto, Ontario. Audio Blood has been existing in some sort of medium since 2006. What started out as an online magazine that later turned in to a small circuited print zine, and a production company (putting on shows in Barrie and Toronto) soon grew in to a marketing and publicity company. Now Audio Blood Inc. includes Audio Blood Booking, Audio Blood Media (public relations, marketing, and radio promotion), and Audio Blood MGMT. Audio Blood has built longstanding relationships with labels including (Nevado Records, Wax Records, and Wind-Up Records)  and has helped jump start careers for some of Canada’s favourites (Still Life Still, Green Go, Fox Jaws). Audio Blood’s current roster includes: Dinosaur Bones, Elias, Modernboys Moderngirls, The Junction, and more.
http://www.audioblood.com

ABOUT THIRD ESTATE INC.:

Third Estate is a full-service music merchandising company based in Toronto, Ontario. Our services include Product Development & Design, in-house production, and online store fronts; all designed to make sure our clients have the right products at the right price, on time, every time. So whether it’s a matter of getting the right product, a lightning-fast turnaround, or a globally accessible online storefront, we’ll be there so that the last thing you have to worry about is your merch.

http://www.third-estate.com

Black Hat Brigade is an eclectic fivesome homegrown right here in the GTA. And homegrown they truly are, with audible influences of Canadian greats Arcade Fire, Broken Social Scene and an unnamed touch of East Coast sound that ties it all together. The band is made up of Rob Haughey (Keys/Guitar/Bass/Vocals), Justin Myler (Bass/Keys/Guitar/Vocals), Adam Peterson (Lead Guitar/Bass/Keys/Glockenspiel/Vocals), Dan Hurst (Drums) and Bryan Ward (Guitar/Percussion/Glockenspiel/Bass) – listing out the band members and the instruments they play appears a little confusing, but it all makes sense once you see them play live. To watch a BHB show is to witness a complicated yet fluid dance of instrument swapping, mixed vocals and old school rock ‘n’ roll. It’s the type of music both hipster kids and grizzled sea captains alike would enjoy stomping their feet and clinking their pint glasses to. iheartthemusic was able to talk with Justin and Bryan before BHB tookthe stage at the El Mocambo on the night of the release party for their sophomore EP, Fathers.

iheartthemusic: Where are you guys from, are you local Toronto boys?

Justin: Well, originally, I’m from Brampton, and so are Rob and Adam, who aren’t here right now.

Bryan: I’m from Pickering, that’s where I grew up. And Dan is from Burlington so we’re all kind of suburb kids.

iheartthemusic: You guys are from all over the place, how did you come together to form the band?

Justin: Myself, Rob and Adam played together in university. We all went to high school together, and I’ve known Adam since I was about five. Bryan and Adam were working at the CBC, and met over there. Bryan came out to one of our shows. We knew that he played a bunch of instruments so we invited him up on stage to play tambourine in one of our songs. We were all pretty inebriated and just asked him to join.

Bryan: …and I met Dan in College, a friend of a friend.

Justin: About a year after Bryan joined we had an amicable split with our old drummer. The next day Bryan bumped into Dan, and asked if he was still drumming. Dan said, “Ya, why…are you looking for a drummer?” He came to a practice and we hit it off.

iheartthemusic: So it seems like it was fate that brought you guys together.

Justin: That’s what we like to call it.

Bryan: It was written in the stars.

iheartthemusic: I like that a lot. So one thing that I thought was really interesting in reading your bio was this section here: “It could be said that the drug-induced children’s programming of the early 1980’s, overexposure to video game soundtracks, and the years spent partying in the bowels of dead end suburban cul-de-sacs might have had an influence on their song writing.” First of all, who wrote that?

Bryan: That’s the English Major, Rob.

Justin: Yeah, he threw together the bio, but we all sort of grew up in the ’80s playing video games, and you can see it in our music. We all have a little bit of ADD, which probably has to do with the video games. It’s why we have to switch up our instruments all the time. We get bored.

iheartthemusic: Any particular video games?

Justin: I was a Nintendo guy, Bryan’s a Nintendo guy.

Bryan: I still have a Nintendo hooked up to my TV. Normally after shows we all end up at my place and play Mario 3 at three o’clock in the morning. We’ll throw on other games, but it always goes back to Mario 3, that’s a staple.

Justin: We do have a song called “Castlevania”, which was not named after the video game, because I tried it, and I suck at it [laughs all around].

iheartthemusic: “Castlevania” is on your second record, the new one that’s out today.

Justin: Yeah, Fathers.

iheartthemusic: When was your first record released ?

Justin: It was almost exactly a year ago today. It was recorded at Sleepytown Sound in December, and it took six months to release. We were doing it all ourselves: artwork,  printing, mastering, and collecting money to be able to afford to do it.

iheartthemusic: Today is the CD release party for the new record, Fathers. How does this record feel different from the first?

Bryan: The new one is longer ['cause] it’s got more songs on it. A couple of songs on this album have been around since we wrote the last one. We felt that these songs all fit well together, and they all had a certain tone and feel to them, which is why we put them on this other EP. Also, I think the songs sound a lot fuller, and more thought out. When we recorded the last one, it was the first thing we’d ever recorded, and the first time we’d ever stepped into a studio. We just did it for ourselves. We thought, cool, now we’ll have something to listen to. With this record we know people other than ourselves and our parents are going to hear it. I think it’s also pretty true to our live sound.

iheartthemusic: Another cool aspect about the show tonight is that it’s part of the Pitter Patter Festival. How did BHB come to take part in it?

Justin: Keith Hamilton, who’s running Pitter Patter, we played show for him about a year ago, at the Boat [in Kensington], and kept in touch with him. We weren’t even supposed to be on Pitter Patter, because we were looking for a night to do our release. So Keith said if we wanted to put on our show as a part of the festival, then that would be great.

iheartthemusic: Let’s talk instruments, your bio lists the glockenspiel one of the instruments you play…

Bryan: Well a Glockenspiel is basically a metal xylophone. It’s got metal pieces instead of the wooden blocks. It’s a mallet instrument… Adam had a dream that he was Moon Walking across a glockenspiel and it played the craziest song he’d ever heard. The next day he came to practice with a glock. None of us had ever played it before.

iheartthemusic: So after this Pitter Patter tour you’re going to be playing NXNE.

Justin: We played it last year, but it was more lowkey. We didn’t have a lot of push behind our name at that point. We’re doing a show at The Drake with The Balconies, The Urban Aesthetics and a couple of others.

Bryan: That’s on June 18th. The next night we’re playing a free show at Yonge and Dundas Square, Mill Street Brewery is the sponsor. There’s going to be two stages, the Mill Street Stage and the main stage. Wintersleep, The Cliks and In-Flight Safety are on the main stage.

iheartthemusic: Do you have a current favourite Canadian band you want to tell our readers about?

Justin: Lots. I find what I’ve been listening to a lot lately is a lot of Canadian stuff, especially out of Toronto. Timber Tambre is someone that we’ve recently started listening to. Bryan actually turned me onto them.

Bryan: It was after one of our shows I think. I was like, “Justin, you need to hear this song.”  It was “Lay Down in the Tall Grass”.

Justin: Chad Vangaalen, Constantines, Broken Social Scene, Wolf Parade, Arcade Fire, Think About Life, Holy Fuck, The Besnard Lakes, Born Ruffians, Islands, Frog Eyes, Slim Twig, Women, Bruce Peninsula…Yeah, there’s lots of great bands out there right now.

iheartthemusic: Do you find that there’s a lot of support within the Canadian music industry? I’ve heard of it described as one big happy family, has that been your experience?

Bryan: We’re always helping each other out. Like if someone gets a gig, or a good slot at a show, we always try to get one of our friends’ bands on there. We’ll try to get younger bands (that aren’t as well known) really good opening slots. That’s kind of what’s pushing the scene right now; everyone’s helping each other out.

iheartthemusic:Do you have a favourite venue in the city, that you’ve played which holds a place in your heart?

Justin: I’d say for most of us, and for me anyway, Rancho Relaxo. We love playing there.

Bryan: We had our first sell out show at Rancho, which was the best thing ever.

iheartthemusic: And, as a final question, care to explain the Soylent Green comment from your bio? That your music is the “aural and visual equivalent to that final scene from the dystopian classic Soylent Green, when Charlton Heston’s character finally realizes that they’ve been eating each other all along”?

Bryan: Our music eats people.

Justin: At the end of one of our shows you realize your brain’s been eating itself the whole time.

Black Hat Brigade will be playing NXNE June 18th at the Drake hotel, and a free show at Yonge and Dundas Square on June 19th.

Interview by Nadia Elkharadly

Pictures by Omar Elkharadly