I Heart the Music: Your Online Source for Live Music Reviews and Interviews in Toronto!

Saturday, March 13th was met with many challenges for anyone looking to jump from venue to venue during CMF. With tons of rain and fierce winds, we were grateful to take refuge at the Rivoli for The Nova Scotia Showcase.

We unknowingly walked into the private party just as Paul Murphy (Wintersleep guitarist & vocalist) graced the stage. The performance featured Paul’s most recent musical endeavor, Postdata. Collaborating with his brother Mike Murphy, Postdata is a culmination of songs inspired by the recent passing of the pair’s grandparents. That said, Murphy gave a somber and subdued performance conveying his message through his powerful voice.

Taking the stage next were The Stanfields. With a blitzkrieg of blue grass, Celtic, heavy metal and rock and roll melodies, the band delivered a performance powered on high octane energy. Playing a combination of old and new tracks (“The Boston States”), they created total anarchy. For audience members new to the band, they were in for a rude awakening if they were standing in what quickly became a crazy mosh pit of Celtic dancing. In attempt to dodge the insanity, I moseyed on over to the other side of the stage where I was greeted by the energetic front man as he jumped into the crowd for his guitar solo. Just when I thought I was safe, a Celtic dancer went down and launched his entire pint onto me. That being said,  it was well worth it! Their debut album comes out in two months on Ground Swell Records.

Transitioning from rock to hip hop, Three Sheet took ownership of the stage. Although difficult to define, this powerful five member band is reminiscent of Black Eyed Peas and Swollen Members. This group knows who they are and with a little work, they should have a label in no time. When you check out Three Sheet, keep in mind that they don’t use samples or synthesized drums. They are a rare combination of strictly beatboxed percussion courtesy of EMC, female vocals courtesy of Vanessa Furlong, O’Quinn’s electric and classical guitar, bass by Kev, and relevant story telling lyrics by band MC Expedyte. Like so many acts seen and heard during CMF, the true brilliance of Three Sheet can really only be realized when you see them live. “At the End of the Day” was a standout track which they delivered with insurmountable passion and intensity.

Stumbling across this showcase turned out to be a serendipitous occasion as i heart the music was introduced to the genius that is Rich Aucoin. Along with Joel Waddell (drums), Erik VanLunen (bass), and Darryl Smith (“other stuff”), Rich had our attention from the get go. There are many moving parts to their set up and watching it brought back memories of panic during school presentations. To their credit, they were faced with a greater challenge; projecting images onto a screen throughout the set. Rich conveyed messages such as “SMILE”, “DANCE”, and “EAT MORE VEGETABLES.” He performed songs from his Personal Publication EP, which was recorded over a year with one microphone and holds more than 25 different instruments. It was written to sync with Dr. Seuss’ How The Grinch Stole Christmas (1966) which he also projected on the screen using hollow neon images. Listen to “It” on their MySpace page and picture the entire crowd kneeling on one knee and subsequently jumping up in unison for the chorus. Everything about this performance was invigorating and inspiring. You can’t help but want to tell everyone you know to stop what they are doing and check this guy out. So please, do yourself a favour and check this guy out! They are back in Toronto on April 24th at Studio City Toronto for Alternative Fashion Week.

as reviewed by Catherine Russell

photography provided by Renee Rodenkirchen

Considering it was “technically” day three for NXNE, you may find it odd that I should call this post “day 2″. The reason is that “day 1″ was such a write-off (for me it consisted of the opening night party and watching one of the worst acts ever at The Drake, which I refuse to name, before I decided to pack it up and call it a night). Thursday, June 18th was PEACE DOT LOVE, a festival promoting and supporting local anti-violence initiatives in Toronto that consisted of a plethora of amazing Toronto acts. This festival also happened to be  sponsored in part by iheartthemusic, so it was lots of work (but we always have room for pleasure). Thus bringing me to Friday, June 19th, the official start to my NXNE experience. The night went something like this: Yonge & Dundas Square – Hard Rock Cafe – Yonge & Dundas – Lee’s Palace – home. Not that much travel, but I needed to ease into the week slowly.

I decided to start the evening with heading to Yonge and Dundas Square to catch East Coast sensation In-Flight Safety perform. After releasing their latest album, We Are An Empire, My Dear, back in January, I was stoked to be able to see them perform live in Toronto. The crowd in attendance was definitely full of fans and it was nice to see people from all walks of life and ages out to see the show.

Next it was a mad rush across the street to the Hard Rock Cafe (a venue that I was entirely not familiar with) to see Ottawa pop/rock group Benefit of a Doubt perform. These guys just recently came off a tour with Norglen and are a band that I have been personally loving for quite some time. Having not been able to catch them during CMW in March, I made sure I was in attendance for their NXNE appearance. Unfortunately for them (and the rest of NXNE attendees) the venue was a huge hindrance. It was like the Hard Rock was the uncool kid that no one wanted to go near. The only people present were clearly there for the food and not the music. This did not, however, faze the foursome on stage as they rocked out harder than most bands we saw that week who played to sold out shows. They opened the show with what I was told was a band favourite to play, “We Are The Broken”, which saw lead vocalist Chase’s voice hit notes that I wouldn’t dare attempt. The overall feel in the room shifted as they began to play. People became mesmerized by their stage presence and forgot about their plates. Chase played barefoot, the band headbanged in unison and they all looked like they were having an awesome time! This band shows no signs of slowing down and I predict they will only get better and bigger.

After their set we didn’t have to venture too far to see the next act, which was Wintersleep who was playing back at Yonge & Dundas Square. This was a show that could not be missed as they rarely venture to Toronto (since they are too busy touring the world). Although my height caused viewing difficulties, I managed to take note of their keyboardist literally balancing on one leg while he playing (impressive to say the least). Everyone was singing along to the well-known tunes and I literally have nothing else to say except that there could have been a bit more stage presence. After seeing the first two bands of the night perform, Wintersleep was a bit of a let down in that regard. However, it was still great to see them live and we managed to grab some awesome shots for your enjoyment!

The last stop of the night was Lee’s Palace to catch one of the hot ticket acts of the week – L.A. duo No Age. Before they were about to go on we managed to catch the last few songs of Seattle group The Dead Science. They are described as “creative experimental pop” and honestly, that is precisely what you get. With a drummer, a guitarist and a guy that appears to play the cello like it is a guitar, their sound is anything but conventional. The lead singer alternated from a high pitched soprano-type voice to a soft whisper (which was a little bit distracting at times) and managed to sing on his toes! The highlight was their technical skill. The drummer banged on the drums without a hitch and the cello player literally rocked out as hard as anyone could on a classical instrument. I would suggest checking them out if only to see (perhaps) where the future of music is taking us!

There was so much hype surrounding the two guys that make up No Age that I was pretty excited to see what it was all about. I know that this band has a very loyal following so I don’t want to piss anyone off… but, I must confess that I did not enjoy it one bit. Although they were engaging as an act, I could hardly make out what Dean was saying and Randy appeared to be in his own world on the guitar. The crowd were clearly MASSIVE fans and they created probably the biggest mosh pit that Lee’s has seen, which continued for the entire duration of their set. I believe that at one point Dean revealed that he just puked in his mouth and then swallowed it. I’m not sure if that is what turned me off the most or if it was the amount of kiddies around me snorting lines. Two thumbs down from me.

Saskatchewan is known for a few things; it’s where the term “the prairies” is used quite loosely, Saskatoon is there and it is also where that television show Corner Gas was filmed. One thing that is not readily associated with this Canadian province is great music and so you can imagine our surprise when iheartthemusic went to see Regina’s six-piece Rah Rah at the El Mocambo a few weeks ago and were very pleasantly surprised by what we discovered. This young band consists of friends Erin, Marshall, Joel, Kris, Samra and Leif, who all met in university where they decided to start a band. Their sound is indie Brit-pop, reminiscent of Arts and Crafts’ heavy-hitters Los Campesinos! in both their stage antics (they are constantly switching instruments), size and attitude. This band is young, fresh and incredible live, which is why they are the first on our radar for next week’s NXNE music festival here in Toronto.

Being a young band (they literally just finished their last semester of uni) they’ve already accomplished a fair amount including sharing the stage with such notable Canadian acts as Wintersleep, Holy Fuck and Mother Mother. But there seems to be no slowing the girls and guys in Rah Rah as they have decided to take on the feat of doing a cross-Canada tour (yes East Coast to West Coast and then back home) with a quick stop in Montreal to record their next record! No big deal right?! If their last album Going Steady (released in 2008 on Young Soul Records) is any indication of what is to come for this group, then you better catch them quick!

Rah Rah play a bunch of dates during NXNE:

Thursday, June 18th @ 2PM > NXPO day stage at Hyatt Regency

Thursday, June 18th @ 11PM > Rancho Relaxo

Sunday, June 21st @ 9PM > El Mocambo

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